Those of you who know me will know that this is one of my
favorite weeks of the year.
(last place 1980 Belgian entry)
You don’t even need to ask: yes, I will be watching from the
first shout of “GOOOOD eveninnnnnnng, Europe!” until goodbye kisses are being
blown at the camera.
In case you missed the first Eurovision semi-final on Tuesday, or you’re of the
American contingent who haven’t yet had the pleasure, here’s a run down of what
you missed in Round 1:
The Best of the Worst
Montenegro: A stocky middle-aged man who calls himself Rambo Amadeus lurched his way through a Balkan funk-rap fusion, dropping lines like
“I don’t like snow peas” and “always stay cool, like a swimming pool.”
San Marino: This one’s called “The Social Network Song”
because they found out late in the game that they were breaking the EV rule
that bans brand names and had to remove all references to “facebook” from the
song. The most delightful absurdity came thanks to the staging: a doctor, a
cheerleader, and a pilot danced in the background while the blue pleather-bedecked
vocalist sang things like “if you wanna come to my house, click it with your
mouse.”
Austria: The group is called Trackshittaz. The song is called “Woki Mit Deim Popo,”
which loosely translates to “Shake Your Bum,” though they made it sound dirtier.
It was no “I Like Big Butts,” but it did feature pole dancers, name-checked
Nuddel Suppen (noodle soup), and a nifty online translator also helped me
understand the lines that meant: “Your bum has feelings, your bum is part of
you / Don’t put it on chairs, your bum has an opinion, yeah.”
The Best of the Best
Iceland: As a rule, entries from Nordic countries are
usually classy and usually involve orchestral string instruments. This one
featured a fellow named Jónsi (not to be confused with the one from Sigur Ros, his
Eurovision profile boasts that he starred as Danny Zuko in Grease a few years
ago) and violin. About as classy as Eurovision power ballads get.
Romania: Drums! Bagpipes! Accordion! A scantily clad pop
princess! Excessive pyrotechnics! It was like Romanian folk goes club and had a
tongue-twister of a chorus that goes “zah li la li la lee.”
Cyprus: Not terribly different from Romania’s tune in terms
of its catchiness, but this favors a sort of Ace of Base beat and has a chorus
that goes “How I’ve been waiting for this la la la la la la la la la la la la
la la la la love.”
Ireland: Say what you want about Jedward the rest of the
year, but they are made for Eurovision. Their “Waterline” is no “Waterloo” or
“Borderline” but watching them bound around the stage dressed as cyberknights
to the tune, I was reminded of “We Built This City” and “Footloose.” If either
of those were sung by hyperactive albino Irish twins, that is.
Russia: I believe in these Babuski, and I would love to see
them beat all the young, naked divas. They began by pretending to put something
in a stage prop oven, all baking and looking adorable. Then the beat dropped
and it became a “party for everybody.” The littlest grannie is such a star she
gets her own solo dance with the camera. (Their previous entry “Very long birch bark and how to
turn it into a turban" may have been a better tune, but “Party for
Everybody” seems more appropriate for the Eurovision agenda.) They get my vote:
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